{"id":465,"date":"2025-02-21T13:27:01","date_gmt":"2025-02-21T12:27:01","guid":{"rendered":"https:\/\/recart.pl\/?page_id=465"},"modified":"2026-03-25T10:32:28","modified_gmt":"2026-03-25T09:32:28","slug":"o-firmie","status":"publish","type":"page","link":"https:\/\/recart.pl\/en\/o-firmie\/","title":{"rendered":"About us"},"content":{"rendered":"
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About us<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Our priority is to achieve the best recording quality. A precise choice and configuration of microphones, high-end class equipment, a specialized qualification and practical knowledge in areas like sound spatiality, proportionality between instruments, balance, frequency characteristics, timbre or dynamics allow us to meet the requirements of the most demanding tasks. We manage each request individually, considering the aesthetics and the historical context of the material, the tone preferred by the client and the acoustics of the localization where the recordings are made.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u0141ukasz Kurzawski<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Sound engineer, musician \u2013 graduate of the I.J. Paderewski Academy of Music in Pozna\u0144 in the cello class with a Master of Arts degree, sound engineering at the Faculty of Physics at Adam Mickiewicz University in Pozna\u0144 with a Bachelor's degree, and Acoustics at the same university with a Master's degree in acoustics. He is a graduate of artistic internship at the Faculty of Sound Engineering at the Fryderyk Chopin University of Music in Warsaw. Lecturer and PhD student at the Faculty of Composition, Music Theory and Sound Engineering at the Academy of Music in Bydgoszcz.<\/p>

Since May 2004, he has been cooperating with Radio Pozna\u0144 (formerly Radio Merkury) as a sound engineer. As part of his work, he makes music recordings, radio plays, live radio broadcasts, produces commercials, jingles, and makes field recordings. He is the creator and host of the Poduszkowiec Radio Merkury broadcast and the Lubi\u0119 Jazz broadcast.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Z racji wykszta\u0142cenia i wieloletniej praktyki wykonawczej gry na wiolonczeli czuje si\u0119 najbardziej kompetentny w stylistyce muzyki klasycznej, ale realizuje r\u00f3wnie\u017c nagrania innych stylistyk. Dorobek nagraniowy \u0141ukasza Kurzawskiego to ponad setka sesyjnych i koncertowych nagra\u0144 wydanych na p\u0142ytach CD i DVD z muzyk\u0105 orkiestrow\u0105, ch\u00f3raln\u0105, kameraln\u0105, jazzem oraz muzyk\u0105 gospel. W\u015br\u00f3d nich znajduje\u00a0si\u0119 m. in.: sze\u015b\u0107\u00a0p\u0142yt\u00a0zespo\u0142u muzyki dawnej Accademia dell’ Arcadia; pi\u0119tna\u015bcie\u00a0album\u00f3w\u00a0z festiwali Musica Sacromontana 2006-2020 w Gostyniu – p\u0142yta z pierwszego festiwalu zosta\u0142a wyr\u00f3\u017cniona nagrod\u0105 Fryderyk 2008<\/strong> w kategorii „Muzyka Ch\u00f3ralna i Oratoryjna”, p\u0142yty z kolejnych\u00a0 festiwali\u00a0by\u0142y nominowane do nagrody Fryderyk (2009<\/strong>, 2010, 2014, 2015,\u00a02017, 2019, 2020, 2021)<\/strong>. Dodatkowo dwup\u0142ytowy album pt. „Pasquale Anfossi, Oratorio La Morte di San Filippo Neri” otrzyma\u0142 w 2015 roku presti\u017cow\u0105 francusk\u0105 nagrod\u0119 muzyczn\u0105 Z\u0142oty Orfeusz<\/strong> przyznawan\u0105 przez Academie du Disque Lyrique. Album wydawnictwa RecArt „Mieczys\u0142aw Weinberg – Works for Violin and Piano (RecArt 0006) zosta\u0142 nominowany do nagrody Fryderyk 2014 <\/strong>w kategorii muzyka kameralna. P\u0142yta z pie\u015bniami Eugeniusza Morawskiego (RecArt 0010) w wykonaniu Agnieszki Rehlis (mezzosopran) i Tadeusza Domanowskiego (fortepian) otrzyma\u0142a nominacj\u0119 do nagrody Fryderyk 2015 <\/strong>w kategorii „recital solowy”,\u00a0album zespo\u0142u Filatura di Musica \u201eCanzony znane i nieznane. Tabulatura pelpli\u0144ska. Adam Jarz\u0119bski\u201d (RecArt 0033) zosta\u0142\u00a0nominowany do nagrody Fryderyk 2021<\/strong> w kategorii \u201emuzyka dawna\u201d.\u00a0\u0141ukasz Kurzawski jest realizatorem d\u017awi\u0119ku albumu „Quo Vadis” z kompozycj\u0105 Feliksa Nowowiejskiego,\u00a0nagranego\u00a0przez\u00a0Orkiestr\u0119 Filharmonii Pozna\u0144skiej, solist\u00f3w i Ch\u00f3r Opery i Filharmonii Podlaskiej pod batut\u0105 \u0141ukasza\u00a0Borowicza, kt\u00f3ry by\u0142 nominowany w dw\u00f3ch kategoriach\u00a0do nagrody Fryderyk 2018<\/strong> oraz\u00a0znalaz\u0142 si\u0119 w\u015br\u00f3d zwyci\u0119zc\u00f3w\u00a0<\/strong>International Classical Music Awards (ICMA)<\/strong>\u00a02018 <\/strong>oraz re\u017cyserem d\u017awi\u0119ku albumu „Penderecki’s Sinfonietta(s)” (wydawnictwo Sony Classical) w wykonaniu orkiestry Sinfonietta Cracovia nominowanego do nagrody ICMA 2022. <\/strong>P\u0142yta „Sinfonietta per Sinfonietta” nagrana przez orkiestr\u0119 Sinfonietta Cracovia pod batut\u0105 Jurka Dyba\u0142a\u00a0(RecArt 0044) zosta\u0142a nominowana do\u00a0International Classical Music Awards 2023\u00a0<\/strong>w kategorii muzyki wsp\u00f3\u0142czesnej (Contemporary Music), a\u00a0p\u0142yta Magdaleny\u00a0Krawczuk i Katarzyny Wasiak z muzyk\u0105 Hansa Gala (RecArt 0045)\u00a0otrzyma\u0142a nominacj\u0119 do\u00a0ICMA 2023<\/strong>\u00a0<\/strong>w kategorii muzyki kameralnej (Chamber Music). Album „Buxtehude: Membra Jesu Nostri” (RecArt 0065) w wykonaniu zespo\u0142u Arte Dei Suonatori i Bart\u0142omieja Stankowiaka by\u0142 nominowany do nagrody Fryderyk 2026<\/strong> w kategori „Album Roku Muzyka Oratoryjna i Operowa”.<\/p>

He has collaborated with, among others: with such artists, ensembles and institutions as: Jerzy Maksymiuk, Tomasz Radziwonowicz, \u0141ukasz Borowicz, Agnieszka Duczmal, Anna Szostak, Jurek Dyba\u0142, Jacek Sykulski, Marcin Na\u0142\u0119cz-Niesio\u0142owski, Krzesimir D\u0119bski, Pawe\u0142 Przytocki, Pawe\u0142 Osuchowski, Sinfonia Varsovia, Sinfonia Viva, Sinfonietta Cracovia, Polish Radio Symphony Orchestra, Sinfonia Iuventus, Beethoven Academy Orchestra, Polish Radio Amadeus Orchestra, Pozna\u0144 Philharmonic, Gorz\u00f3w Philharmonic, Mazowsze Song and Dance Ensemble, Camerata Silesia Singers\u2019 Ensemble, Polish Chamber Choir, Pozna\u0144 Chamber Choir, Musical Theatre in Pozna\u0144, Musica Sacromontana festival, Errantia Musica festival, Consortium Sedinum, FAMD.pl Orchestra, Institute of Music and Dance, National Centre for Culture, Pi\u0105ta Esencja Foundation, Musica Patria, Coro da Camera choir, Sonantes choir, Era Jazzu, Porta Musicae Artistic Association, Academy of Music in Pozna\u0144, Academy of Music in Wroc\u0142aw, Academy of Music in \u0141\u00f3d\u017a, Academy of Music in Krak\u00f3w, Academy of Music in Bydgoszcz, Academy of Art in Szczecin, University of Zielona G\u00f3ra, numerous chamber ensembles and soloists.<\/p>

He has collaborated with such institutions as: Polish Radio, Polish Television, Music Collection Agency, I.J. Paderewski Academy of Music in Pozna\u0144, Adam Mickiewicz University in Pozna\u0144, Regional Education Centre, J. Zeidler Association of \u015awi\u0119tog\u00f3rska Music Enthusiasts, Association of Culture and Art Enthusiasts, Ars&Studium Association, Astigmatic Association, An_Arche Foundation, Silesia Sonans festival, Pozna\u0144 Choir School, European Centre for Communication and Culture<\/p>

In the years 2009-2015 he was vice-president of the Artelier Foundation. He is a member of the Audio Engineering Society. In the years 2006-2009 he was a lecturer at the Regional Education Center in Pozna\u0144 in the field of sound engineering. In the years 2009-2015 he cooperated with the Adam Mickiewicz University in Pozna\u0144 as a lecturer in the field of sound engineering. He cooperated as an expert with the Institute of Educational Research in Warsaw on the creation of the Polish Qualifications Framework. Since 2022 he has been cooperating as a lecturer with the Department of Sound Engineering of the Feliks Nowowiejski Academy of Music in Bydgoszcz, where he is currently a doctoral student.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Equipment<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Rejestracja<\/strong><\/h4>\n
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  • Komputery przeno\u015bne<\/li>\n<\/ul>\n
    INTEFEJSY AUDIO\/PRZETWORNIKI AD\/DA<\/strong><\/h5>\n
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    • SSL 18 2 szt.<\/li>
    • Zoom LiveTrak L-20<\/li>\n
    • M-Audio Profire 2626 4 szt.<\/li>\n
    • Focusrite Scarlett 18i20 3rd Gen 2 szt.<\/li>\n
    • RME Digiface USB 2 szt.<\/li>\n
    • BEHRINGER ADA8200 3 szt.<\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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      Mikrofony<\/strong><\/h4>
      • Schoeps MK2S 2 szt.<\/li>
      • Schoeps MK21 2 szt.<\/li>
      • Austrian Audio OC818 Stereo Pair<\/li>

      • sE Electronics 4400a Stereo Pair<\/p><\/li>

      • Line Audio CM3 6 szt.<\/li>
      • Line AUdio CM4 4 szt.<\/li>
      • Line Audio OM1 2 szt.<\/li>
      • Rode NT55 2 szt.<\/li>
      • Rode NT5 6 szt.<\/li>
      • Rode NT2A 2 szt.<\/li>
      • Rode M3<\/li>
      • sE Electronic 4A 2 szt.<\/li>
      • sE Electronic 3A 2 szt.<\/li>
      • sE Electronic 1A 2 szt.<\/li>
      • sE Electronic X1<\/li>
      • Shure SM7<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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        Ods\u0142uch<\/strong><\/h4>
        • Adam Audio A7<\/li>
        • Neumann KH 120 A<\/div><\/li>
        • Beyerdynamic DT990 PRO<\/div><\/li>
        • Beyerdynamic DT770 PRO\u00a0<\/div><\/li>
        • Alesis M1 Active 320<\/div><\/li>
        • Audio Technica ATH-M40FS<\/div><\/li><\/ul>

          Oprogramowanie<\/strong><\/h4>
          • Samplitude 2025 Suite<\/li>
          • Pro Tools 8 LE<\/li>
          • Waves Gold Native V9<\/li>
          • Izotope Ozone 5<\/li>
          • Izotope RX5<\/li>
          • PSP Xenon<\/li>
          • Ableton Live Lite 6<\/li>
          • FL Studio 8 Fruity Edition<\/li>
          • Vegas Movie Studio HD Platinum 10<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

            O firmie Naszym priorytetem jest uzyskanie jak najlepszego brzmienia nagra\u0144. Precyzyjny wyb\u00f3r i ustawienie mikrofon\u00f3w, wysokiej klasy sprz\u0119t, wykszta\u0142cenie oraz […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"disabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-465","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/recart.pl\/en\/wp-json\/wp\/v2\/pages\/465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/recart.pl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/recart.pl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/recart.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/recart.pl\/en\/wp-json\/wp\/v2\/comments?post=465"}],"version-history":[{"count":67,"href":"https:\/\/recart.pl\/en\/wp-json\/wp\/v2\/pages\/465\/revisions"}],"predecessor-version":[{"id":3602,"href":"https:\/\/recart.pl\/en\/wp-json\/wp\/v2\/pages\/465\/revisions\/3602"}],"wp:attachment":[{"href":"https:\/\/recart.pl\/en\/wp-json\/wp\/v2\/media?parent=465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}